The Sequenza-Series is considered to be one of the most important cycles of the 20th century. Luciano Berio: Sequenza I for flute | UE November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The. Berio Sequenza Audio Recording and Saunders Bite. Posted on . Luciano Berio’s Sequenza no.1 for flute is one of my favorite pieces.

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I have performed the piece several times, and have no exclusivity — except for in the Netherlands Sorry!

The video has not been issued yet, but I hope that when it comes out it will offset my disquiet. Family can be stressful, my son is at a difficult age, I lucisno am at a difficult age. I find it very revealing though. Sustained pitches are set against fast passagework, high is set against low, aggressive against introspective: I practice like this with either one or two movements of Bach. Here is the link. Romantic Evening Sex All Themes.

Berio | Helen Bledsoe, Flutist

Here is an example of her graphic score, Stripsody https: No rehearsals or teaching this early in the year. The main reason is that my body feels soooo much better when I keep my practice time to only a few hours a day. From A to Z, Vol. So how do you prepare, follow the score or the recorded performance? I love her recording of the vocal Sequenza too, but I just came across a recent recording of the Sequenza no.

Sexy Trippy All Moods. Like Berio’s successive solo works–and apart from certain rhetorical-historical commentary that may be present in these–Sequenza I embodies a quest for counterpoint and harmony through the means of a single melodic line.


Sequenza I was written for the flutist Severino Gazzelloniwho premiered the work at Darmstadt in The melodic and harmonic content of Sequenza I grew out of Berio’s serial-influenced language, resulting in a highly controlled employment of pitch.

Sequenza I – Wikipedia

I would argue that in this context, these matters require seequenza more consideration. I also love teaching it; it has so much to offer in terms of technique especially articulation! The symmetrical chromatic scale gives way to more complex collections of notes; these more complex gestures are incorporated into the work in a way that provides the impression sequsnza blocks of notes in counterpoint with other blocks.

Berio’s precedents in this regard include the solo flute and other solo instrumental works of Bachbut the harmonic language of the twentieth century required a new approach to this “virtual polyphony. Streams Videos All Posts. Genre Chamber Music Classical.

But I do own the new addition, and am finding it more useful than ever this time around to answer questions about timing. Works for Flute Solo. The recording is available through the Musikfabrik Label, which is a digital platform that offers multiple download choices — please browse the catalogue, you might find other recordings that interest you! Well, I have news for you, Sr. Some time ago I posted about recording the Berio Sequenza for Flute. Only recently did I come to know she composed herself.

This flte one reason it is not my favorite piece to listen to. The old version has been in my memory for about 20 years now. Berio notated the piece so that an individual staff line has a fixed duration, while the durations of individual notes are indicated proportionately–that is, a small distance between one note and the next denotes a short duration, whereas a greater distance denotes a longer duration.

Luciano Berio: Sequenza I

These could be, for example, long, held-out notes or notes that follow a rest. This kind of “open” structure allows for flexibility within an otherwise rigorous form. Specifically for the SequenzaI consider the soul of the work to be in the long, held-out notes. Next week there are plenty of pieces to prepare, old and new, but I decided to forget about them and devote my practice time to concentrate on Berio. There is an unwritten book inside me about this work, but for now I would like to consider one aspect of the work that often gets ignored: I was with my family in St.


While that may make for a better performance, the audio does have some issues of timing; some passages could have been more accurate regarding speed and length, had I been looking at the score.

Drinking Hanging Out In Love. Although watching oneself opens another can of worms.

Sequenza I, for flute

Jazz Latin New Age. This is how I want to feel during the recording. I was talking to another local flutist who had worked with Berio on the Sequenza. Nevertheless, neither you nor I can assume that a work without a traditional tonal center and without traditional harmonic relationships is devoid of centers and relationships entirely.

Her theatricality, her agility, never cease to inspire me.

In free-tonal music there is also a hierarchy of intervals, the most important points of orientation being the prime intervals octaves, fifths, fourthsespecially when they form tones that draw attention to themselves. Luciano Berio’s Sequenza I for flute is an example of ebrio partially indeterminate musical form.

This winter break has been very stressful. Sequenzas; Due Pezzi; Musica Leggera; etc.