In White’s view, beyond the surface level of the historical text, there is a deep structural, or latent, content that is generally poetic and Metahistory: The Historical Imagination in Nineteenth-Century Europe. Front Cover · Hayden White . Since its initial publication in , Hayden White’s Metahistory has remained an essential book for understanding the nature of historical. Title, Metahistory: the historical imagination in nineteenth-century Europe / Hayden White. Author, White, Hayden V., Extent, dpi TIFF G4 page images.
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Open Preview See a Problem? Receive exclusive offers and updates from Oxford Academic. Whife of the main reasons that White has been given such a cool reception by historians is that his supporters such as Keith Jenkins — in presenting a bowdlerised version of White oeuvre in order to further their own agendas — have regrettably done more harm than good. Entracte rated it it was ok Nineteenth-centurry 27, In 19th century historiography the leading tropes do not follow this strict order but coexist.
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No festive occasions except false or illusory ones. The theoretical framework is outlined in the first 50 pages of the book, which consider in detail eight major figures of 19th-century history and the philosophy of history.
Metahistory: The Historical Imagination in Nineteenth-Century Europe by Hayden White
He makes interesting statements and I think he made a great starting points of presenting his ideas on imaginatiin and its fictive elements. Hayden White is a member of the American Academy of Arts and Sciences, professor emeritus of comparative literature at Stanford University, and professor emeritus of the history of consciousness at the University of California, Santa Cruz.
There are no discussion topics on this book yet. Danielle Lee rated it it hsyden amazing Feb 17, And finally he shows how these relate to the ideological implications of the work which he categorizes as anarchist, radical, conservative or liberal.
Life History and Narrative J.
It basically argues that historiography produces tropologically constituted representations of the past, not methodologically justified true accounts. University of California Press, The way historians suggest to their readers why their study is important. And if history does anything, it instructs us well of that. Musgrave and Lakatos Cambridge,pp. In this classic work, White argues that a deep structural content lies beyond the surface level of historical texts.
It effectively becomes shorthand for very complicated ideas so that the reader can follow White has he builds his arguments and he does not need to restate himself at every turn. The story is explained by construction of a nomological-deductive argument. Want to Read Currently Reading Read. Purchase Subscription prices and ordering Short-term Access To purchase short term access, please sign in to your Oxford Academic account above.
I get by on a little and try not to wish for a lot. Refresh and try again.
I guess you could call me a White sympathizer. Selected pages Title Page. Additionally, unconnected to the operative trope, but working in conjunction with it, is the author’s given method of “emplotment”. Dec 13, ine. Paul wrote on White for his PhD dissertation, and has consulted White at length in the context of the former project and the current book. Introduction The Poetics of History. And, like Walter Brennan’s character, I prefer simply hayven not play that whole game rather than deal with the heelots.
Metahistory: the historical imagination in nineteenth-century Europe
This page was last edited on 10 Octoberat This deeper content – the metahistorical element – indicates what an “appropriate” historical explanation should be. According to White the historian begins his work by constituting a chronicle of events which is to be organized into a coherent story. See change as fine-tunings to the present. He is the author of a number of books published by Johns Hopkins, including Tropics of Discourse: Harold rated it it was amazing Mar 28, Believes in the necessity of structural transformations.
If not a tropologist, then surely White can be categorized as a narrativist? This book will be of interest to anyone—in any discipline—who takes the past as a serious object of study. Back to 8 Ibid, p. Hassan Bourara rated it really liked it Aug 28, It is lengthy and there is a lot of jargon to wade through.
Jan 26, Timothy added it Shelves: My own analysis of the deep structure of the historical imagination of Nineteenth century Europe is intended to provide a new perspective on the current debate over the nature and function of historical knowledge.
Account Options Sign in. On one hand, White was keen to stress that the task of a new form of history was to liberate; but on the other the theory of tropes and emplotments that White constructed seemed to be putting structuralist bars metahisotry these potentially liberating accounts.
Depending on the trope employed, each author’s work would proceed on the grounds assumed by that trope. The author’s thesis is simple enough – the same historical events can be described in good conscience in different ways, just like any story. To purchase short term access, please sign in to your Oxford Academic account above. These assumptions, White asserts, can be identified by examining the form and structure of texts themselves, providing valuable information about the attitudes of the author and the context in which he or she has written.